Articles

• Juan de Valdés Leal and his “Hieroglyphs of Death”

  Andrzej Witko

  7-38

  • pdf (Język Polski)
• A noble amateur. The etchings by Anetka Tyszkiewiczówna from the album Vues de Pologne

  Ryszard Mączyński

  39-78

  • pdf (Język Polski)
• Between idea and construction. Jan Matejko’s altarpiece designs

  Barbara Ciciora

  79-124

  • pdf (Język Polski)
• Luigi Veronesi – the protagonist of Italian abstractionism

  Darya Pyshynskaya

  125-154

  • pdf (Język Polski)
• The artistic setting of the proclamation of the Spanish kings Philip V and Ferdinand VI in Cusco (1702, 1747)

  Ewa Kubiak

  155-174

  • pdf (Język Polski)
• The penitential programme in the former missionary church in Siemiatycze

  Irena Rolska

  175-190

  • pdf (Język Polski)
• The reminiscences of the conflict over the Ostrogski Ordination in the art of Jan Klemens Branicki’s circle

  Krzysztof Gombin

  191-203

  • pdf (Język Polski)
• The strategy of state self-presentation: the USSR art in Warsaw in 1933

  Irena Kossowska

  205-235

  • pdf (Język Polski)
• Four elements in the medieval iconography of the Last Judgement? New iconographic interpretation of the mosaic of the western wall of basilica on Torcello island – part I

  Aleksandr Krauze-Kołodziej

  237-257

  • pdf (Italiano)