The Origin of Square Notation
Abstract
In this article the evolution of two French notations is presented: North-French and Aquitaine notations. On the basis of selected sources in a chronological order investigation of selected neumatic elements of these notations was conducted and at the final stage conclusions how evolved of the particular neumes was drawn. The evolutionary process of the musical scripture proved to be more distinct in the northern French notation. Step after step, the formation of the classic shapes of the square notation, can be observed with the characteristic junctures of elements (ligature). In the case of Aquitaine notation, one can speak only in a very limited manner of the graphical form evolution, because the important elements of this notation were modified only slightly in the course of tree hundred years. Thereby it is proven that the contemporary choral notation stems from the northern French form.
References
Apel, Willi. The Notation of Polyphonic Music 900-1600. Cambridge-Massachussets: The Mediaeval Academy of America 1953.
Beguermont, Helene. La première écriture musicale du monde occidentale. Bourg-la Reine: Editions Auguste Zurfluh, 2003.
Bernagiewicz, Robert. “Communiones” “Graduału rzymskiego” in statu nascedi i w obliczu rodzącej się diastematii. Lublin: Wydawnictwo KUL, 2004.
Bernagiewicz, Robert. Recepcja tradycji neumatycznych w notacji Graduału Wiślickiego w świetle neum liquescentes. Ząbki: Wydawnictwo Apostolicum 1999.
Chomiński, Józef and Krystyna Wilkowska-Chomińska. Historia muzyki. Vol. 1. Kraków: Polskie Wydawnictwo Muzyczne, 1989.
Hourlier, Dom J. La notation musicale des chants liturgiques latins. Solesmes: Abbaye Saint-Pierre, 1996.
Rampi, Fulvio and Massimo Lattanzi. Manuale di canto gregoriano. Cremona: Turris Editrice, 1998.
Roesner, Edward H. “Notre Dame school.” In The New Grove Dictionary of Music and Musicians, vol. 18, edited by Stanley Sadie, 202–203. Oxford: Oxforf University Press, 2001.
Stäblein, Bruno. Schriftbild der einstimmingen Music. In: Musikgeschichte in Bildern, Begründet von Heinrich Besseler und Max Schneider. Vol. III. Music des Mittelalters und der Renaissance. Leipzig: Deutscher Verlag für Musik 1975.
Copyright (c) 2015 Roczniki Teologiczne
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.