The Beginnings of Art History and Connoisseurship Studies in Ancient China

Bogna Łakomska

doi:10.18290/10.18290/rh.2019.67.11-5

Bogna Łakomska Akademia Sztuk Pięknych w Gdańsku

DOI: https://doi.org/10.18290/10.18290/rh.2019.67.11-5

Słowa kluczowe: starożytne Chiny; historia sztuki; teoria sztuki; zabytkoznawstwo; kaligrafia

Abstrakt

Początki naukowej myśli o sztuce i zabytkoznawstwa w starożytnych Chinach

Artykuł przedstawia historię kształtowania się myśli o sztuce i antykach w dawnych Chinach, począwszy od czasów dynastii Wei i Jin po wczesny okres dynastii Song. Celem niniejszego tekstu jest prezentacja zarówno teoretycznych koncepcji na temat malarstwa i kaligrafii pisanych przez artystów i uczonych-urzędników w różnych okresach, jak również przedstawienie rodzącego się zainteresowania zabytkoznawstwem. Artykuł pokazuje, w jaki sposób studia nad teorią sztuki ulegały zmianie, osiągając większy stopień dojrzałości w połowie IX wieku n.e., tj. w momencie, kiedy Zhang Yanyuan napisał „Rejestr Słynnych Malarzy wszystkich Dynastii”, dając tym samym asumpt do kolejnych studiów nad sztuką.

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