Camera con vista : la biblioteca surrealista dell’Ebdòmero di Giorgio De Chirico
Abstrakt
De Chirico’s novel Hebdomeros (1929) is deeply influenced by contemporary Surrealist theories. Imitating the metaphoric space of a library, the narration combines the two dimensions of interiors and exteriors. The hero himself, Hebdomeros, is a room with a window – a window which is the direct link with the external world. Inside, the erudition deriving from experience and memory; outside the contemporary life, with its solicitations and spontaneity. Life is, in De Chirico’s and his alter ego Hebdomeros’s mind, an intricate skein of enigmas, waiting to be interpreted.
In order to accomplish the difficult task of interpretation, one has to compare Hebdomeros with other coeval surrealist novels: René Crevel’s Babylone (1927); Robert Desnos’s La Liberté ou l’amour! (1927); Georges Limbour’s L’Acteur du Lancashire (1923); Michel Leiris’s Le Point cardinal (1927); Breton’s Nadja (1928). De Chirico absorbed the deep sense of Surrealism: a man has to walk along an initiating path, guided by his thoughts and memories, with no other end than self-understanding
Bibliografia
Antle, M.: Cultures du Surréalisme. Paris: Acoria, 2001.
«Bifur». Paris: Éd. du Carrefour, 25 luglio 1929, n 2.
Breton, A.: Manifesto del surrealismo (1924). In Manifesti del surrealismo. Introduzione di G. Neri, trad. Liliana Magrini. Torino: Einaudi, 1987.
Breton, A.: Nadja (1928). Nota di Lino Gabellone, trad. Giordano Falzoni. Torino: Einaudi, 1972.
Christin, A.-M.: «Hebdomeros», Théâtre de mémoire. Littérature, février 1987, n. 65, p. 20-36.
Crevel, R.: Babilonia. A cura di T. Collani. Bologna: CLUEB, 2007.
Eco, U.: Semiotica e filosofia del linguaggio. Torino: Einaudi, 1984.
De Chirico, G.: Hebdomeros. Le peintre et son génie chez l’écrivain. Paris: Éd. du Carrefour, 1929.
De Chirico, G.: Ebdomero. Milano: Bompiani, 1942a.
De Chirico, G.: A fragment of Hebdomeros. Trad. R. H. Knight. Arson. An Ardent Review. London, 1942b, p. 29-30.
De Chirico, G.: Hebdomeros. Trad. P. Bowles. View. New York, dicembre 1944a, IV serie, n. 4, p. 124, 144-146.
De Chirico, G.: Hebdomeros. Trad. P. Bowles. View. New York, autunno 1944b, IV serie, n. 3, p. 80-82.
De Chirico, G.: Ebdòmero. Genova: Il Melangolo, 1990.
De Chirico, G.: Ebdomero. Milano: SE, 1992.
Desnos, R.: La Liberté ou l’amour! (1927). In Œuvres. A cura di M.-C. Dumas. Paris: Gallimard, 1999, p. 317-394.
Fagiolo dell’Arco, M.: Les Italiens de Paris. De Chirico e gli altri a Paris nel 1930. Milano: Skira, 1998.
Leiris, M.: Le Point cardinal. Paris: Sagittaire, 1927.
Limbour, G.: L’Acteur du Lancashire (1923). In L’Acteur du Lancashire ou L’Illustre cheval blanc. Paris: Gallimard, 1930.
Riese, Hubert R.: The Fabulous Fiction of Two Surrealist Artists: Giorgio de Chirico and Max Ernst. New Literary History, Autumn 1972, IV, n. 1, p. 151-166.
Vitrac, R.: Giorgio De Chirico. Littérature, nouvelle série, marzo 1922, n. 1, p. 10-11.
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