Obrazy w romansie greckim i ich funkcja

  • Sylwester Dworacki Uniwersytet im. Adama Mickiewicza w Poznaniu
Słowa kluczowe: romans grecki; obraz; obrazowanie

Abstrakt

In Greek Novel as well as in the early periods of Greek literature are known descriptions of pictures made by painters or by other artists. This paper is concentrated mainly on the paintings that are the starting points Longus’ Daphnis and Chloe, and Achilles Tatius’ The Adventures of Leucippe and Cleitophon. A special attention is given to the beginning Heliodorus’ Aethiopica, where though the opening scene is not a description of a painting, nevertheless it is presented like a painting. Also other paintings are discussed which occur in the above mentioned novels. In conclusion, a stress is put on the novelty of Heliodorus who introduces to Greek novel a new way of using description of paintings, and different objects, and also creates scenes similar to paintings.

Bibliografia

Bartsch S.: Decoding the Ancient Novel. The Reader and the Role of Description in Heliodorus and Achilles Tatius, Princeton: Princeton University Press 1989.

Bieber M.: The History of the Greek and Roman Theater, Princeton: Princeton University Press 1961.

Billaut A.: L’inspiration des Ἐκφράσεις d’oeuvres d’art chez les romanciers grecs, „Rhetorica”. A Journal of the History of Rhetoric, 8 (1990), No. 2, s. 153-160.

Cieśluk M.: Bohater i gra przeznaczenia w Opowieści etiopskiej Heliodora, Poznań 2003. Niepublikowana rozprawa doktorska, dostępna w Bibliotece Uniwersyteckiej UAM.

Graf F.: Ekphrasis. Die Entstehung der Gattung in der Antike, [w:] Bildbeschreibungskunst – Kunstbeschreibung. Ekphrasis von der Antike bis zur Gegenwart, hrsg. von G. Boehm und H. Pfotenhauer, München: Wilhelm Fink Verlag 1995, s. 143-155.

Harlan E. C.: The Description of Paintings as a Literary Device and its Application in Achilles Tatius, Ph.D. Diss., Columbia University 1965.

Mittelstadt M. C.: Longus: Daphnis and Chloe and Roman Narrative Painting, „Latomus”. Revue d’études latines, 26 (1967), s. 752-761.

Pickard-Cambridge A.: Dithyramb, Tragedy and Comedy, IInd ed. revised by T. B. L. Webster, Oxford: Oxford University Press 1970.

Polański T.: Ancient Greek Orientalist Painters. The Literary Evidence, Kraków: Księgarnia Akademicka 2002

Witmarsh T.: Written on the body: ekphrasis, perception and deception in Heliodorus’ Aethiopica, „Ramus”. Critical Studies in Greek and Roman Literature, 31 (2002), no. 1-2, s. 111-125.

Zimmerman n B.: Poetische Bilder. Zur Funktion der Bildbeschreibungen im griechischen Roman, „Poetica”. Zeitschrift für Sprach- und Literaturwissenschaft, 31 (1999), s. 61-79.

Opublikowane
2019-10-02
Dział
Artykuły