Black Ghosts of the Diasporic Memory in Jesmyn Ward’s Sing, Unburied, Sing

Vicent Cucarella-Ramon

doi:10.18290/rh216911-5

Vicent Cucarella-Ramon Universitat de València https://orcid.org/0000-0003-1547-2273

DOI: https://doi.org/10.18290/rh216911-5

Słowa kluczowe: diaspora, pamięć, duch, niewolnictwo, uzdrowienie, rasizm

Abstrakt

Czarne duchy pamięci diaspory w Śpiewajcie, z prochów, śpiewajcie Jesmyn Ward

W powieści Jesmyn Ward Śpiewajcie, z prochów, śpiewajcie (2017) afroamerykańska rodzina musi stawić czoła duchom przeszłości jak i teraźniejszości, wskrzeszając dawno pogrzebane historie, które są ściśle splecione z dziedzictwem niewolnictwa i erą surowych praw Jima Crowa. Artykuł stawia tezę, iż powieść bierze udział w reinterpretacji postaci ducha jako uzdrawiającego czynnika, który należy koniecznie uwzględnić w procesie odzyskiwania pamięci. Dlatego ożywienie pamięci afrykańskiej diaspory przyspiesza spotkanie z duchami, dzięki czemu rodzina może rozpocząć proces uleczania, otrzymując narzędzia i wzorce umożliwiające pogodzenie się z dziedzictwem niewolnictwa i współczesnymi przejawami rasizmu.

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