Articles

• Applying Transactional Analysis to Facilitate Self-Regulation of Trainee Translators and Interpreters

  Konrad Klimkowski

  7-22

  • pdf
• Context-Related Semantics: Evaluation of Expressive Quality of Lexical Items

  Karolina Kozłowska

  23-40

  • pdf
• Three Readings of Frequency Adjectives in Polish

  Ewelina Mokrosz

  41-59

  • pdf
• Analizowalność i kompozycjonalność gier słownych

  Konrad Żyśko

  61-74

  • pdf
• Seeing with a Filmmaker’s Eyes: Glimpses of Mobilized Landscapes in Stan Brakhage’s The Wonder Ring (1955) and Visions in Meditation #2: Mesa Verde (1989)

  Kornelia Boczkowska

  75-89

  • pdf
• Some Leaks, Some Draughts: On Three Unstaged Polish Translations of Harold Pinter’s Plays

  Łukasz Borowiec

  91-108

  • pdf
• “You Can’t Opt Out”: The Inescapability of Virtuality in Joshua Ferris’s To Rise Again at a Decent Hour

  Piotr Czerwiński

  109-121

  • pdf
• The Power of Gaze: Some Remarks on the Orientalizing Perspective in Bharati Mukherjee’s Jasmine

  Iwona Filipczak

  123-135

  • pdf
• The Author’s Second Self or a Set of Implicit Norms: The Concept of the Implied Author and Its Discontents

  Grzegorz Maziarczyk

  137-145

  • pdf
• Renesansowy melancholijny asamblaż, przestrzeń i barokowy problem myśli

  Kamil Rusiłowicz

  147-160

  • pdf
• Modernity and Utopia in Bruno Latour’s We Have Never Been Modern and Gabriel Josipovici’s What Ever Happened to Modernism

  Magdalena Sawa

  161-175

  • pdf
• Artistic Experiment as a Cognitive Strategy of the Contemporary Novel: A Case Study of Onde estas? by Sebastian Bukaczewski

  Joanna Klara Teske

  177-191

  • pdf
• Word, Colour and Sound: John Gould Fletcher’s Hybrid “Colour Symphonies”

  Sławomir Wącior

  193-205

  • pdf
• Nos/Otras Living in Nepantla: Gloria Anzaldúa’s Concepts of Borderland Identity in Contemporary World

  Grażyna Zygadło

  207-219

  • pdf