Lost in Translations? Maleness, Masculinity, Dandyism, Literature and Criticism

Abstract

The study focuses on the system of translation that combines the figures of dandyism, masculinity, maleness, literature and literary criticism. In an extensive corpus that includes literary works composed between mid-eighteenth century and early-twentieth century, the dandiacal character embodies the more or less problematic association of masculine, feminine and effeminate features. Between conformity and transgressiveness, the hero-dandy reveals the plastic, performative part inherent in individuation, while dramatizing the limits of the grand narratives of heteronormativity and patriarchy.