Screen-Test Audience as Artist?

Sheryl Tuttle Ross

doi:10.18290/rkult22134.28

Sheryl Tuttle Ross University of Wisconsin, USA https://orcid.org/0000-0002-5528-8166

DOI: https://doi.org/10.18290/rkult22134.28

Abstrakt

The presented statement is part of the volume it covers a variety of responses from people who interact with art in different ways. The aim is to suggest to the participant of the contemporary world a new, personal perspective to rethink what is this area of our world that we label with art; thoughts with and without theoretical suggestions - reflections by the creators and reflections by the audience, teaching humility and uniqueness, perhaps - forming a fresh perspective on art.

Bibliografia

Carroll, Noel. Philosophy of Motion Pictures. Malden, MA: Wiley-Blackwell, 2007.

High Fidelity Stephen Frears, 2000, Core Production Files, Margaret Herrick Archives in the Academy of Motion Picture Arts.

Hornby, Nick. High Fidelity. London: Penguin Books, 2006.

Katula, Richard A., and Richard W. Roth. “A Stock Issues Approach to Writing Arguments.” College Composition and Communication 31, no. 2 (1980): 183–196. DOI: https://doi.org/10.2307/356373.

“Singin’ in the Rain.” IMDb.com. Accessed July 16, 2022. https://www.imdb.com/title/tt0045152/.