What Is Art? From the Perspective of an Art Creator
Abstrakt
The presented statement is part of the volume it covers a variety of responses from people who interact with art in different ways. The aim is to suggest to the participant of the contemporary world a new, personal perspective to rethink what is this area of our world that we label with art; thoughts with and without theoretical suggestions - reflections by the creators and reflections by the audience, teaching humility and uniqueness, perhaps - forming a fresh perspective on art.
Bibliografia
Bachelard, Gaston. La Poétique de l'espace. Paris: PUF, 1957
Barba, Eugenio. On Directing and Dramaturgy: Burning the House. London and New York: Routledge, 2010.
Chekhov, Mikhail. On the Technique of Acting, edited by Mala Powers, New York: Harper Collins, 1991.
Knebel, Marja. O deïstvennom analize piesy i roli. Moskva: Iskusstvo, 1959. Edizione Italiana a cura di A. Bergamo: L’analisi della pièce e del ruolo mediante l’azione. Roma: Bulzoni, 2009.
Pirandello, Luigi. “L’Innesto” (1917), “Sei Personaggi in cerca d’autore” (1921). In Maschere nude, edited by Alessandro D’Amico. Milano: Mondadori, 2007.
Ruffini, Franco. Stanislavski: dal lavoro dell'attore al lavoro su di sé. Roma and Bari: Laterza, 2005.
Salonna, Ilaria. “Acting atmospheres: the theatre laboratory and the numinous.” In The Performances of Sacred Places: Politics and Ecologies, edited by Silvia Battista, 87–103. Bristol: Intellect Books, 2021.
Stanislavski, Konstantin Sergeyevich. Il lavoro dell’attore sul personaggio, edited by Fausto Malcovati, prefazione by Giorgio Strehler. Bari: Laterza, 1993.
Vassiliev, Anatoli. Sept ou huit leçons de théâtre. Paris: P.O.L, 1999.
Vassiliev, Anatoli. “Dopóki Grotowski...” Notatnik Teatralny. Wrocław: Spring, 1991.
