Landscape as Art and as Persons
Abstrakt
The presented statement is part of the volume it covers a variety of responses from people who interact with art in different ways. The aim is to suggest to the participant of the contemporary world a new, personal perspective to rethink what is this area of our world that we label with art; thoughts with and without theoretical suggestions - reflections by the creators and reflections by the audience, teaching humility and uniqueness, perhaps - forming a fresh perspective on art.
Bibliografia
Barrell, John. The dark side of the landscape: the rural poor in English painting 1730-1840. Cambridge: Cambridge University Press, 1980.
Gell, Alfred. Art and agency: an anthropological theory. Oxford: Clarendon Press, 1998.
Hirsch, Eric. Ancestral presence: cosmology and historical experience in the Papuan highlands. London: Routledge, 2021.
Leenhardt, Maurice. Do kamo: person and myth in the Melanesian world. Translated by Basia Miller Gulati. Chicago: University of Chicago Press, 1979 [first published 1947].
Strathern, Marilyn. The gender of the gift: problems with women and problems with society in Melanesia. Berkeley: University of California Press, 1988.
Wagner, Roy. “The fractal person.” In Big men and great men: personifications of power in Melanesia, edited by Maurice Godelier and Marilyn Strathern, 159–173. Cambridge: Cambridge University Press, 1991.
