Music in Chinese Culture

  • Diana Wolańska The John Paul II Catholic University of Lublin, Faculty of Humanities
Keywords: Chinese culture; music

Abstract

Summing up the development of Chinese music, we cannot forget, that Chinese music still remains very individual and characteristic in spite of the west having its influence on it. We are dealing with a very different musical culture, especially having taken the development of ancient music.

From the start music in China played a major role, it was closely bonded with philosophy and religion. The belief in social and educational effects of music contributed to surrounding it with cult. Typical restraints, applied to only a few genres, interpretations and instruments and its rigorous conservatism and archaic nature made this music exceptional and one of a kind. For ancient Chinese culture music became the wisdom of the heart, which was and continues to be a hardwired part of every Chinese person’s life.

References

Biegański, Krzysztof i in. (red.), Mała encyklopedia muzyki, Warszawa: PWN, 1981.

Czekanowska, Anna. Kultury muzyczne Azji, Kraków: Polskie Wydawnictwo Muzyczne 1981.

Eberhard, Wolfram. Symbole chińskie. Słownik. Obrazkowy język Chińczyków, tł. Renata Darda, Kraków: TAiWPN UNIVERSITAS, 2001.

Kwiatkowski, Krzysztof. Duch cele i środki. Asymilacja muzyki zachodniej w Chinach, http://www.ruchmuzyczny.pl/PelnyArtykul.php?Id=454 (dostęp: 31.08.2010).

Pimpaneau, Jacques. Chiny. Kultura i tradycje, przeł. Irena Kałużyńska, Warszawa: Wydawnictwo Akademickie Dialog, 2001.

Provine, Robert C. – Tokumaru, Yosihiko – Witzleben, J. Lawrence (eds). Garland Encyclopedia of World Music, vol. 7: East Asia: China, Japan, and Korea, University of Maryland, 2001.

Sachs, Curt. Historia instrumentów muzycznych, Kraków: Polskie Wydawnictwo Muzyczne, 1989.

Szlagowska, Danuta. Kultura muzyczna antyku, Gdańsk: Wydawnictwo Akademii Muzycznej im. Stanisława Moniuszki, 1983.

Published
2019-10-21
Section
Articles