Modernistic Presentation of the Sacred in Dmitriy Merezhkovsky’s Historical Novels The Death of Gods (Julian The Apostate), Resuscitated Gods (Leonardo Da Vinci)

Abstract

It’s considered in the article how artistic attempt  is carried out of showing  artistic building of symbolistic space of category the sacred in novels of  Dmitriy Merezhkovskiy, and then original symmetrically turned return from the Antique to the Middle Ages (The Death of Gods (Julian the Apostate)) and from the Middle Ages to the Renaissance (Resuscitated Gods (Leonardo da Vinci)), her various expressions in creed of Olympic Gods in ancient Greeks, and in Christianity.