Pictures

Abstract

The threefold tribute to Professor Władysław Panas has to a large degree the character of looking at an accidentally found photo and at a picture recorded in one’s memory. The middle part of the sketch is filled with classical memories of the Master recalled by a former student of his and by a beginning researcher working for the same university. The center of Part Two is basically Władysław Panas’s methodological confession made in public during the promotion of his book Bruno of the Messiah in December 2001.